Archive for February, 2011
You know how sometimes you think you’ve done something and find out “nope” – you didn’t? Or you just get so busy dealing with “the 10,000 shocks the flesh is heir to” that little details (like paying bills) just slip through the cracks? Well, I think one or more of those things must have happened after I finished editing the images from our trip to the Bay Area last July.
Interestingly enough, I never photographed the Golden Gate Bridge, even though I lived fifteen minutes from it for about twenty five years. So, off we went last summer to make up for a little lost time and visit with friends and relatives. We also took a little side trip down to Carmel by the Sea and photographed some interesting coastal scenery around Moss Landing on the way. I’ve been fascinated by the big power plant at Moss Landing for decades (decommissioned in 1995) and now I have another goal accomplished.
In addition to the Golden Gate Bridge, you’ll find a few images of Chinatown, Union Square and some random architecture. Not a huge gallery or anything, but some very interesting images, captured in the City by the Bay on a typical, foggy, cold summer day.
This is the first in a series of blog entries designed to give you some new tools for creating better photographs. In the future we will go over some of the “rules” I’ve taught in my classes, without which the aspiring photographer is ungrounded. After learning all these rules, you are, of course, free to break them. But you have to know them before you can hammer them into smithereens, right?
Let’s get started with today’s topic:
What to do with those shots that just don’t work out.
Sometimes you see something in your travels and think “Wow. That is so cool!” And you simply must capture it. But after taking a few (or dozens of) pictures, you find you just did not capture it in a manner that conveys the “coolness” you perceived initially. Or even worse… The one shot that IS really nicely capturing the essence of the scene is badly underexposed – or overexposed – or worse yet… Out Of Focus! Now what?
I think it’s best to work with examples and I happen to have a few out of my own library. Yessirree. Out of the hundred thousand or so images I’ve taken over the decades, you can bet I’ve had my share of WTF? moments when I look at “the shot” and find it’s not “The Shot” after all. This was much more common when shooting film. Now that we can see the results immediately, there’s a lot less room for coming back with useless images…
So let’s start with one of my favorite examples, entitled “First Snow”. This photograph was taken during the first snow of the year (amazing how that fits with the title, right? I know!) and, while I took a few other shots that actually came out just fine – this one was almost completely white. Totally overexposed. Probably because I had left the camera in Manual mode and set for some long time-exposure I’d been doing the night before – or something like that. So the image looked unsalvageable when I first saw it. I was going to just delete the image and move on. Then I thought why not fool around with this a bit and see what I get.
And after a lot of tweaking with Photoshop I came out with the image below. The things I like about this image are the stark whiteness captured by the extreme overexposure and the gorgeous aqua blue in all the windows and some of the landscaping that resulted from my processing.
The next two examples are on the topic of seeing something a photographing it, but somehow the photo just doesn’t do it justice. The amazing aspect of whatever the subject happens to be. is somehow lost in translation.
Our first example is a very interesting item I found sitting in an empty lot in Prosper many years ago. Sitting towards the edge of this lot was an old, abandoned crane. With a tree growing through it. I thought is was really interesting – and odd. And I spent about thirty minutes photographing this thing from every possible angle (would have been nice to have a bucket truck…) – but when I evaluated all the shots in my computer…
Something was missing. I had failed to capture the unusualness of this oddball crane. I was very disappointed, of course, as I really wanted empirical evidence of how odd it is to find a crane with a tree growing through it.
After examining all the images for awhile, I decided I liked a particular section of the read deck of the crane, which had a small pool of water still evaporating from recent rains and these great colors from decades of peeling paint. There was this giant eye bolt fastened to the deck, which added height and interest as well. All-in-all, a pretty interesting segment to work with. So I cropped the image and went to work with Photoshop to bring up the colors, contrast and detail of the section I was working with.
Seen below is the original, side by side with the final photo, so you can see the before and after of this project.
And in the final example of this post:
We were in Austin over the summer and headed into Whole Foods, as I recall, when I noticed this really nice example of Lantana, which I thought would look nice against the dramatic blue sky with dramatic white clouds. So I crouched down to line up the Lantana correctly and took a couple of shots. During processing, I felt the inclusion of the buildings took too much away from the image, as much as I liked the cloud formations near them. I could have removed the buildings and created a really dramatic image (and I might, someday, when I feel like spending a couple of hours doing so) but I felt that simple cropping out the distracting elements would result in a stunning image. I assembled the image below for a contest to illustrate this lesson.
Below is the composite of the original on the left and final version on the right.
And there you have it. So much for today’s lesson. Hopefully this will entice you to revisit some of your exiting images – and to think about composing subjects you pursue in the future.
Until next time.
For several months, I’ve been exhibiting a small collection of images at the MarketPlace at Frisco Square. I recently changed most of the images for a new selection of my Texas Collection, and you can pick these up for a lot less than what I generally sell them for in a gallery. This is a substantial savings – and quite a bargain, so check it out.
All images are in black, 16×20 frames, signed and of the same quality I would present in a gallery – just in less expensive frames. For only $149.00 (plus tax) you can have part of my “Texas As I See It” collection on your wall. These are also great for gifts, (they make great housewarming gifts).
Once an image is sold, it is replaced with a completely different one from my collection, so if you see anything you like, I’d recommend snapping it up.
Mosey on in and look around. I know every time we go in there, we spend more than I make selling my art, so that should tell you how much fun the place it. Lots of cool decorative goodies and fun women’s clothes + really cute kids’ stuff.
Check it out:
MarketPlace at Frisco Square
8861 Coleman Blvd.
Frisco, TX 75034
Tell them Warren sent you. My display is on the back wall on the left side. Enjoy.
For the first time, I have published a few images of the Oklahoma City bombing memorial I took in 2006. This was where I had the epiphany that caused my return to photography. These were taken with a very inexpensive, low resolution digital camera. Click on the photo for the full gallery.
The Journal Record Building in Oklahoma City, which has become the Memorial Museum since the bombing of the Alfred P. Murrah building in 1995, contains an awe-inspiring display that brings the horror of the three minutes from 9:01-9:03 on April 19, 1995 to a chilling reality for visitors.
This is the memorial for the Oklahoma City bombing victims, and one of the most intense experiences you will ever have. Visit this memorial and you will be a different person when you leave. Some of these images feature the “Survivor Tree” reflected in the Timeline waters. Others focus on the memorial chairs.
Each chair represents someone who died in the blast. Large chairs for adults and small ones for the children, arranged in rows to represent the floor they were on when the blast tore them from this world.
You can purchase some of the photos from this gallery here